On July 7th my fine art photography exhibition begins at the Cooley Gallery in Leesburg, Virginia.  The focus of the exhibition will be “Chasing the Decisive Moment in Fine Art Photography.

Six of my pieces will be on display at The Cooley Gallery, beginning with a reception from 6-9 pm on July 7th.

This is a milestone for me.  To date I’ve relied on internet sales for my work.  But on the advice of several professionals, I decided to take the plunge with an exhibition.  I was very privileged to be accepted by the Cooley Gallery in Leesburg, Virginia, which is owned by former Washington Redskins tight-end Chris Cooley and managed by curator Dana Beal.

The internet is an amazing tool, but looking at artwork on the internet just doesn’t do a piece justice.  You can’t get immersed in an image the way you can standing in front of it.  You can’t feel the image “breathe.”  You can’t get as good a sense of the story of the image, it’s texture, composition, and scale.

Art is a form of communication.  And while I very much appreciate the feedback I get from my online friends, I really don’t believe I can get a true sense of how well I’m communicating without seeing for myself how people react to it.  I want to have a dialog with people as they react to it.  I want to understand what is working, and where I may have missed the mark.

I hope especially to get feedback from the paint artists who exhibit at the Cooley Gallery.  I believe there is much to learn from each other, paint to photography and photography to paint.

A copy of the event’s press release follows:

An Exhibition: “Chasing the Decisive Moment in Fine Art Photography”

 

William Toti has a new exhibit at the Cooley Gallery, 9 North King Street, Leesburg, Virginia, July 7-31, 2017, with an opening reception at the Gallery on July 7th from 6-9 pm.

 

William spent more than four years of his life underwater over the span of a 26-year career in the U.S. Navy submarine force. During the course of his military career, his life was filled with many “decisive moments,” including some quite tragic. When he finally surfaced for good in 2006, his view of the world (along with his world view) had changed, and he took up photography as a method of forcing himself to refocus, as it were, on the beauty of our physical world.

 

Since then, he has traveled the world trying to translate Henri Cartier-Bresson’s well-known street photography zeitgeist into modern, fine art, landscape images. Using a broad canvas and a wide palette of brilliant colors, William’s images transform sometimes well-known photographic themes into bold new interpretations. Please join William for his opening reception on July 7th. Feel free to reach out to him with any questions at the above email address.

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